{"id":3417,"date":"2023-04-25T09:29:44","date_gmt":"2023-04-25T08:29:44","guid":{"rendered":"https:\/\/folio400.com\/?post_type=phernalia&p=3417"},"modified":"2023-04-25T10:00:31","modified_gmt":"2023-04-25T09:00:31","slug":"very-good-or-starke-naught-the-university-of-glasgows-first-folio","status":"publish","type":"phernalia","link":"https:\/\/folio400.com\/phernalia\/very-good-or-starke-naught-the-university-of-glasgows-first-folio\/","title":{"rendered":"Very good \u2026 or starke naught? The University of Glasgow\u2019s First Folio"},"content":{"rendered":"\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t

In September 1856, the wealthy Glasgow insurance broker William Euing (1788-1874) received the latest acquisition for his growing library of musical books, Bibles and bibliographical treasures. It was a copy of the 1623 First Folio, sent to him from London by the (some say) notorious antiquarian, bookseller, literary scholar and Shakespearean editor James Orchard Halliwell-Phillipps (1820-1889).<\/p>

The letter that Halliwell sent with the book makes entertaining reading:<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t

I have much pleasure in sending you the first folio which is neither \u201cragged nor rotten\u201d<\/em> but for a low priced book in remarkably fine condition generally. I had three copies. For my best Mr Russell Smith gave me no less than one hundred & forty pounds. The present one sent you is my second best. My other although wanting title & all the preliminary leaves is as useful to me for working purposes as the best, & indeed in some respects more so as it is no such great consequence if it gets an ink blot \u2026<\/p><\/blockquote>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"University\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t

Annotations within the University of Glasgow First Folio<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t

What is so important and frankly enjoyable about our copy is that one of the copies that make it up was annotated by a contemporary owner who evidently saw the plays being performed in the late 1620s by Shakespeare\u2019s very own company, the King\u2019s Men. The names of the principal actors are accompanied by comments that seem to suggest that the annotator knew – or at least had seen – some of the actors. ‘Know’ is written in by the name of Robert Benfield and Joseph Taylor, ‘by eyewittnesse’ by that of John Lowin, and ‘by report’ underneath Richard Burbage. The annotater knew of William Ostler by \u2018hearsay\u2019, and \u2018so too\u2019 (i.e. also by hearsay) Nicholas Tooley, John Underwood, William Eccleston and Nathan Field. The name of William Shakespeare, which heads the list, is accompanied by the intriguing comment ‘Least for making’ \u2013 probably to be interpreted as meaning that Shakespeare acted in the plays least of all since he was busy writing and producing them.<\/p>

\u00a0<\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t

The annotations continue in the first section of the book. Interspersed occasionally with leaves from another copy, the pages throughout \u2018The Tempest\u2019, \u2018The Two Gentlemen of Verona\u2019 and \u2018The Merry Wives of Windsor\u2019 are heavily and consistently marked. The most obvious evidence of attentive reading is in frequent underlining and bracketing. Besides this, the notation ‘ap’ (possibly an abbreviation of ‘approbo’ i.e. \u2018I approve\u2019) is the reader’s key marginal device, used to highlight sections of particular interest. Much to our delight, the reader also occasionally adds comments to the text as well, showing us their appreciation (or otherwise) of the plays. The leaves have unfortunately been cropped in binding making some of the marginalia difficult to decipher, but there is enough to give us a sense of the annotator\u2019s enjoyment of Shakespeare. A comment in the \u2018Merry Wives\u2019, for instance, accurately sums up Ford’s mistrust of his wife as being ‘a good jealous mans dilemma’. Best of all are the summary verdicts at the end each play: The Tempest is liked ‘pretty well’, but on the other hand \u2018The Two Gentlemen of Verona\u2019 is ‘starke naught’; The Merry Wives of Windsor is lauded as ‘very good; light’. Alas, the copy changes again at this point, recommencing momentarily at the end of \u2018Much Ado about Nothing\u2019 (\u2018bon fort bon\u2019) and making a brief reappearance for three leaves of \u2018Love\u2019s Labours Lost\u2019. Thereafter, our annotated copy disappears, and although there are occasional marks and sporadic marginalia by later readers, there is nothing so rich as these early annotations.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"Starke\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t

Annotations within the University of Glasgow First Folio<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t

Although many of Shakespeare’s plays had been first enacted some twenty five years before the production of the First Folio, these annotations may still be regarded as a fairly immediate reaction to them. To me, they are a thrilling and viscerally direct connection to Shakespeare, and I have always wondered if some counterpart pages from another perfected copy are \u2018out there\u2019.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"Lorenzo\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t

The annotation “Lorenzo Cary” appears at the end of The Two Gentlemen of Verona<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t

But who might this annotater have been? There is a huge clue in the name \u2018Lorenzo Cary\u2019 written in at the end of Act four, scene two of \u2018The Two Gentlemen of Verona\u2019. Lorenzo (1613-1642) was the son of Henry Cary (1575-1633), 1st Viscount Falkland and Lord Deputy of Ireland, and Elizabeth Cary (1585-1639), the writer renowned as \u2018the first female author to write original drama in English\u2019 (ODNB). The Carys were, by all accounts, a highly literate and cultured family, and it is easy to see how a copy of the First Folio would have been meat and drink to them. Lorenzo was one of ten children. One of his younger brothers, Patrick, was a poet. His elder brother, Lucius, (1609\/10\u20131643) formed a formidable intellectual circle at Great Tew in Oxfordshire where he lived from 1632; he collected books, enjoyed plays and wrote poetry, even exchanging odes with Ben Jonson. Although the whole family were living in Ireland when the book was originally published, Elizabeth and three of her children returned to England in 1625 followed by the rest of the family in 1629 \u2013 a timeline that fits in nicely with the period that the annotated \u2018known\u2019 actors were still performing.<\/p>

\u00a0<\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t

At what point and how the annotated First Folio left the ownership of the Cary family is not known. The next identified owner of our copy (or at least part of it) occurs well over a hundred years later in the shape of the Irish peer and MP Murrough O\u2019Brien, fifth Earl of Inchiquin (afterwards Marquis of Thomond) of Taplow Court, Buckinghamshire (1726-1808) \u2013 as evidenced by two bookplates and an autograph written in at the start of \u2018The Tempest\u2019. According to Lee\u2019s 1902 first census of copies, Inchiquin acquired the book in 1780, although try as I might, I can no longer find any evidence for this assertion. Although an aristocrat, like so many early owners of the First Folio, Inchiquin on the face of it does not seem to be an obvious lover of Shakespeare. A soldier and sometime politician, he seemed to spend most of his life chasing a peerage in an attempt to fend off penury. Described somewhat dubiously as a \u2018happy fool\u2019, his obituary in the Gentleman\u2019s magazine refers to him as \u2018a genial good fellow\u2019 with the reputation of being \u2018a six bottle man\u2019. However, according to Lee again, he was also a friend of the Shakespearian editor, Edmond Malone, who edited the 1790 edition of Shakespeare\u2019s works. Malone is known to have built up a large working library, and although his extra illustrated copy of the First Folio is now in the Bodleian Library (West 32), perhaps he was responsible for supplying Inchiquin with this copy. We will never know whether he read it, of course, although I like to think that some of its stains and splotches might have been caused by the careless and hazy handling of Inchiquin\u2019s fifth or sixth bottle of claret.<\/p>

Inchiquin died in 1808 at the age of 85.\u00a0 <\/span>What happened next to our First Folio will probably forever remain a mystery, but it must be at around this time that it was broken up and perfected with other dilapidated copies. This was a well-known practice amongst a myriad of later eighteenth and early nineteenth century booksellers, many of whom deliberately kept imperfect copies in stock specifically to plunder for replacement pages to \u2018complete\u2019 volumes.<\/p>

We can, of course, examine our copy for further clues. The watermarks of \u2018Shakespeare\u2019 and \u2018J Whatman\u2019 in the five facsimile leaves at the beginning and end of the volume indicate that they were supplied from the first printed facsimile edition of the folio, produced in 1806-08 by E. and J. Wright of St John\u2019s Square, London \u2013 so we might suppose that the perfection postdates 1808, the year Inchiquin died. It might have been one of the Thomas Rodds (the elder: 1763\u20131822; the younger: 1796\u20131849) who are both known to have dealt in First Folios. We can only speculate, but could a copy sold in Thomas Rodd the younger\u2019s sale of 1849 be ours: lot 1345\u00a0 <\/span>\u2018wanting the title, and four leaves at the end, soiled\u2019? And, incidentally, in this same sale lot 1346 was a \u2018small portion of the first edition, some of the plays complete\u2019\u2026<\/p>

What we do know is that Halliwell sold this copy to Glasgow\u2019s William Euing in 1856. A note by Halliwell on the fyleaf asserts that he had bought it only a year earlier in 1855 from John Haes, a London stockbroker, via the bookseller and printer James Evan Adlard. He then marketed it as the headline lot in his Sotheby\u2019s sale of May 23 1856:\u00a0 <\/span>\u2018a very valuable and important collection of Shaksperian & dramatic literature, including \u2026 [a] copy of the First Folio of 1623 annotated by a contemporary of the poet\u2019. Our First Folio appears as lot 403 and the USP of the annotations are described in some detail. Although mention is made of five leaves being reprinted (and one being slightly defective), the made up nature of the book is glossed over. Halliwell does state, however, that the book is \u2018precisely in the state in which it was purchased\u2019, neatly distancing himself from any skulduggery to be discovered on closer examination. Caveat emptor!<\/p>

Unfortunately, we have no record of how much Euing paid for this Frankenstein or even what his assessment of it was. Whatever he thought, his purchase was much to the University of Glasgow\u2019s eventual benefit, when it was bequeathed along with his other 12,000 books (including a second folio and some quartos) in 1874. It is now regarded as one of the greatest treasures of Euing\u2019s library and much beloved by students and researchers alike. Of course, as Matthew Shaw has already highlighted in his article on the Oxford Queen\u2019s College copy, it is exactly those idiosyncratic Folios that aren\u2019t \u2018fine or perfect\u2019 that can tell us so much about the transmission of this literary icon. The ultimately dubious nature of our copy, the intriguing annotations that offer a glancing connection with the past, and the unfathomable secrets of its history will probably enthrall us forever.<\/p>

Julie Gardham<\/strong>
29 March 2023<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Julie Gardham, Senior Assistant Librarian at the University of Glasgow, discusses some of the unique characteristics of the University’s First Folio and explores who may have been behind many of the annotations this edition has collected throughout its existence. <\/p>\n","protected":false},"featured_media":3419,"menu_order":0,"template":"","phernalia_types":[12],"acf":[],"yoast_head":"\nVery good \u2026 or starke naught? The University of Glasgow\u2019s First Folio » Folio 400 - Printing Shakespeare<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/folio400.com\/phernalia\/very-good-or-starke-naught-the-university-of-glasgows-first-folio\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Very good \u2026 or starke naught? The University of Glasgow\u2019s First Folio » Folio 400 - Printing Shakespeare\" \/>\n<meta property=\"og:description\" content=\"Julie Gardham, Senior Assistant Librarian at the University of Glasgow, discusses some of the unique characteristics of the University's First Folio and explores who may have been behind many of the annotations this edition has collected throughout its existence.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/folio400.com\/phernalia\/very-good-or-starke-naught-the-university-of-glasgows-first-folio\/\" \/>\n<meta property=\"og:site_name\" content=\"Folio 400 - Printing Shakespeare\" \/>\n<meta property=\"article:modified_time\" content=\"2023-04-25T09:00:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/folio400.com\/wp-content\/uploads\/2023\/04\/Julie-Gardham-cropped-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"617\" \/>\n\t<meta property=\"og:image:height\" content=\"617\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/folio400.com\/phernalia\/very-good-or-starke-naught-the-university-of-glasgows-first-folio\/\",\"url\":\"https:\/\/folio400.com\/phernalia\/very-good-or-starke-naught-the-university-of-glasgows-first-folio\/\",\"name\":\"Very good \u2026 or starke naught? The University of Glasgow\u2019s First Folio » Folio 400 - Printing Shakespeare\",\"isPartOf\":{\"@id\":\"https:\/\/folio400.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/folio400.com\/phernalia\/very-good-or-starke-naught-the-university-of-glasgows-first-folio\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/folio400.com\/phernalia\/very-good-or-starke-naught-the-university-of-glasgows-first-folio\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/folio400.com\/wp-content\/uploads\/2023\/04\/Julie-Gardham-cropped-1.jpg\",\"datePublished\":\"2023-04-25T08:29:44+00:00\",\"dateModified\":\"2023-04-25T09:00:31+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/folio400.com\/phernalia\/very-good-or-starke-naught-the-university-of-glasgows-first-folio\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/folio400.com\/phernalia\/very-good-or-starke-naught-the-university-of-glasgows-first-folio\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\/\/folio400.com\/phernalia\/very-good-or-starke-naught-the-university-of-glasgows-first-folio\/#primaryimage\",\"url\":\"https:\/\/folio400.com\/wp-content\/uploads\/2023\/04\/Julie-Gardham-cropped-1.jpg\",\"contentUrl\":\"https:\/\/folio400.com\/wp-content\/uploads\/2023\/04\/Julie-Gardham-cropped-1.jpg\",\"width\":617,\"height\":617,\"caption\":\"Julie Gardham\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/folio400.com\/phernalia\/very-good-or-starke-naught-the-university-of-glasgows-first-folio\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/folio400.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Phernalia\",\"item\":\"https:\/\/folio400.com\/phernalia\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Very good \u2026 or starke naught? The University of Glasgow\u2019s First Folio\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/folio400.com\/#website\",\"url\":\"https:\/\/folio400.com\/\",\"name\":\"Folio 400 - Printing Shakespeare\",\"description\":\"A celebration of the 400th anniversary of the printing of Shakespeare's first Folio in 1623\",\"publisher\":{\"@id\":\"https:\/\/folio400.com\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/folio400.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/folio400.com\/#organization\",\"name\":\"Folio400\",\"url\":\"https:\/\/folio400.com\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\/\/folio400.com\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/folio400.com\/wp-content\/uploads\/2021\/03\/folio-banner_02.jpg\",\"contentUrl\":\"https:\/\/folio400.com\/wp-content\/uploads\/2021\/03\/folio-banner_02.jpg\",\"width\":1210,\"height\":263,\"caption\":\"Folio400\"},\"image\":{\"@id\":\"https:\/\/folio400.com\/#\/schema\/logo\/image\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Very good \u2026 or starke naught? The University of Glasgow\u2019s First Folio » Folio 400 - Printing Shakespeare","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/folio400.com\/phernalia\/very-good-or-starke-naught-the-university-of-glasgows-first-folio\/","og_locale":"en_GB","og_type":"article","og_title":"Very good \u2026 or starke naught? The University of Glasgow\u2019s First Folio » Folio 400 - Printing Shakespeare","og_description":"Julie Gardham, Senior Assistant Librarian at the University of Glasgow, discusses some of the unique characteristics of the University's First Folio and explores who may have been behind many of the annotations this edition has collected throughout its existence.","og_url":"https:\/\/folio400.com\/phernalia\/very-good-or-starke-naught-the-university-of-glasgows-first-folio\/","og_site_name":"Folio 400 - Printing Shakespeare","article_modified_time":"2023-04-25T09:00:31+00:00","og_image":[{"width":617,"height":617,"url":"https:\/\/folio400.com\/wp-content\/uploads\/2023\/04\/Julie-Gardham-cropped-1.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Estimated reading time":"8 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/folio400.com\/phernalia\/very-good-or-starke-naught-the-university-of-glasgows-first-folio\/","url":"https:\/\/folio400.com\/phernalia\/very-good-or-starke-naught-the-university-of-glasgows-first-folio\/","name":"Very good \u2026 or starke naught? The University of Glasgow\u2019s First Folio » Folio 400 - Printing Shakespeare","isPartOf":{"@id":"https:\/\/folio400.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/folio400.com\/phernalia\/very-good-or-starke-naught-the-university-of-glasgows-first-folio\/#primaryimage"},"image":{"@id":"https:\/\/folio400.com\/phernalia\/very-good-or-starke-naught-the-university-of-glasgows-first-folio\/#primaryimage"},"thumbnailUrl":"https:\/\/folio400.com\/wp-content\/uploads\/2023\/04\/Julie-Gardham-cropped-1.jpg","datePublished":"2023-04-25T08:29:44+00:00","dateModified":"2023-04-25T09:00:31+00:00","breadcrumb":{"@id":"https:\/\/folio400.com\/phernalia\/very-good-or-starke-naught-the-university-of-glasgows-first-folio\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/folio400.com\/phernalia\/very-good-or-starke-naught-the-university-of-glasgows-first-folio\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/folio400.com\/phernalia\/very-good-or-starke-naught-the-university-of-glasgows-first-folio\/#primaryimage","url":"https:\/\/folio400.com\/wp-content\/uploads\/2023\/04\/Julie-Gardham-cropped-1.jpg","contentUrl":"https:\/\/folio400.com\/wp-content\/uploads\/2023\/04\/Julie-Gardham-cropped-1.jpg","width":617,"height":617,"caption":"Julie Gardham"},{"@type":"BreadcrumbList","@id":"https:\/\/folio400.com\/phernalia\/very-good-or-starke-naught-the-university-of-glasgows-first-folio\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/folio400.com\/"},{"@type":"ListItem","position":2,"name":"Phernalia","item":"https:\/\/folio400.com\/phernalia\/"},{"@type":"ListItem","position":3,"name":"Very good \u2026 or starke naught? The University of Glasgow\u2019s First Folio"}]},{"@type":"WebSite","@id":"https:\/\/folio400.com\/#website","url":"https:\/\/folio400.com\/","name":"Folio 400 - Printing Shakespeare","description":"A celebration of the 400th anniversary of the printing of Shakespeare's first Folio in 1623","publisher":{"@id":"https:\/\/folio400.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/folio400.com\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/folio400.com\/#organization","name":"Folio400","url":"https:\/\/folio400.com\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/folio400.com\/#\/schema\/logo\/image\/","url":"https:\/\/folio400.com\/wp-content\/uploads\/2021\/03\/folio-banner_02.jpg","contentUrl":"https:\/\/folio400.com\/wp-content\/uploads\/2021\/03\/folio-banner_02.jpg","width":1210,"height":263,"caption":"Folio400"},"image":{"@id":"https:\/\/folio400.com\/#\/schema\/logo\/image\/"}}]}},"_links":{"self":[{"href":"https:\/\/folio400.com\/wp-json\/wp\/v2\/phernalia\/3417"}],"collection":[{"href":"https:\/\/folio400.com\/wp-json\/wp\/v2\/phernalia"}],"about":[{"href":"https:\/\/folio400.com\/wp-json\/wp\/v2\/types\/phernalia"}],"version-history":[{"count":14,"href":"https:\/\/folio400.com\/wp-json\/wp\/v2\/phernalia\/3417\/revisions"}],"predecessor-version":[{"id":3440,"href":"https:\/\/folio400.com\/wp-json\/wp\/v2\/phernalia\/3417\/revisions\/3440"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/folio400.com\/wp-json\/wp\/v2\/media\/3419"}],"wp:attachment":[{"href":"https:\/\/folio400.com\/wp-json\/wp\/v2\/media?parent=3417"}],"wp:term":[{"taxonomy":"phernalia_types","embeddable":true,"href":"https:\/\/folio400.com\/wp-json\/wp\/v2\/phernalia_types?post=3417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}